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WILL ROSSY designs
videography
DailyWay Outfitters Promo Video (Mar 2026)
The Brief: A newly launched apparel company needed a promo video to introduce their initial cap line.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
Meach Pango "B/A/F" - Music Video
The Brief: Local DFW band Meach Pango needed a music video built from their concert footage at Tulips (Oct 2025).
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
TXST Lacrosse v UNT - Feb 7, 2025
The Brief: Texas State Lacrosse needed a highlight reel from their matchup against UNT to use for team promotion and recruiting content.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
2024 Keystone Commercial
The Brief: Keystone Automotive needed a 30-second commercial capturing both the brand's identity and its rugged spirit.
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
COBB Tuning Promo
The Brief: COBB Tuning needed a high-impact 30-second commercial showcasing performance and precision in a fast-paced visual format.
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
DailyWay Outfitters Promo Video (Mar 2026)
The Brief: A newly launched apparel company needed a promo video to introduce their initial cap line.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
Meach Pango "B/A/F" - Music Video
The Brief: Local DFW band Meach Pango needed a music video built from their concert footage at Tulips (Oct 2025).
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
TXST Lacrosse v UNT - Feb 7, 2025
The Brief: Texas State Lacrosse needed a highlight reel from their matchup against UNT to use for team promotion and recruiting content.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
2024 Keystone Commercial
The Brief: Keystone Automotive needed a 30-second commercial capturing both the brand's identity and its rugged spirit.
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
COBB Tuning Promo
The Brief: COBB Tuning needed a high-impact 30-second commercial showcasing performance and precision in a fast-paced visual format.
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
DailyWay Outfitters Promo Video (Mar 2026)
The Brief: A newly launched apparel company needed a promo video to introduce their initial cap line.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
Meach Pango "B/A/F" - Music Video
The Brief: Local DFW band Meach Pango needed a music video built from their concert footage at Tulips (Oct 2025).
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
TXST Lacrosse v UNT - Feb 7, 2025
The Brief: Texas State Lacrosse needed a highlight reel from their matchup against UNT to use for team promotion and recruiting content.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
2024 Keystone Commercial
The Brief: Keystone Automotive needed a 30-second commercial capturing both the brand's identity and its rugged spirit.
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
COBB Tuning Promo
The Brief: COBB Tuning needed a high-impact 30-second commercial showcasing performance and precision in a fast-paced visual format.
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
DailyWay Outfitters Promo Video (Mar 2026)
The Brief: A newly launched apparel company needed a promo video to introduce their initial cap line.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
Meach Pango "B/A/F" - Music Video
The Brief: Local DFW band Meach Pango needed a music video built from their concert footage at Tulips (Oct 2025).
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
TXST Lacrosse v UNT - Feb 7, 2025
The Brief: Texas State Lacrosse needed a highlight reel from their matchup against UNT to use for team promotion and recruiting content.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
2024 Keystone Commercial
The Brief: Keystone Automotive needed a 30-second commercial capturing both the brand's identity and its rugged spirit.
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
COBB Tuning Promo
The Brief: COBB Tuning needed a high-impact 30-second commercial showcasing performance and precision in a fast-paced visual format.
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
DailyWay Outfitters Promo Video (Mar 2026)
The Brief: A newly launched apparel company needed a promo video to introduce their initial cap line.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
Meach Pango "B/A/F" - Music Video
The Brief: Local DFW band Meach Pango needed a music video built from their concert footage at Tulips (Oct 2025).
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
TXST Lacrosse v UNT - Feb 7, 2025
The Brief: Texas State Lacrosse needed a highlight reel from their matchup against UNT to use for team promotion and recruiting content.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
2024 Keystone Commercial
The Brief: Keystone Automotive needed a 30-second commercial capturing both the brand's identity and its rugged spirit.
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
COBB Tuning Promo
The Brief: COBB Tuning needed a high-impact 30-second commercial showcasing performance and precision in a fast-paced visual format.
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
DailyWay Outfitters Promo Video (Mar 2026)
The Brief: A newly launched apparel company needed a promo video to introduce their initial cap line.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — partnered with the owner on concept development.
The Work: Filmed the owner and friends across various locations in the Fort Worth Stockyards in a single 3-hour session, prioritizing the bible verses attached to each cap as the visual and narrative focus. Cut it into a 30-second promo covering all four initial caps in social, real-world settings.
The Outcome: Delivered a 30-second promo video launching the brand's first product line.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
Meach Pango "B/A/F" - Music Video
The Brief: Local DFW band Meach Pango needed a music video built from their concert footage at Tulips (Oct 2025).
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor.
The Work: Shot the live concert set at Tulips, then edited the footage into a music video synced to the track's energy and pacing.
The Outcome: Delivered a finished music video for the band to release and share.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
TXST Lacrosse v UNT - Feb 7, 2025
The Brief: Texas State Lacrosse needed a highlight reel from their matchup against UNT to use for team promotion and recruiting content.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
My Role: Sole videographer and editor — shot, edited, color graded, and handled sound design solo.
The Work: Shot a mix of handheld sideline coverage and telephoto field footage to capture both the speed of play and the atmosphere around it. In the edit, prioritized pacing that matched the intensity of the game rather than a straight chronological recap.
The Outcome: Delivered a polished highlight reel used by the team for promotional and recruiting purposes.
Tools: Sony A7III, Tamron 28–200mm, Rode mic, Adobe Premiere Pro.
2024 Keystone Commercial
The Brief: Keystone Automotive needed a 30-second commercial capturing both the brand's identity and its rugged spirit.
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Producer and editor — handled the full production from concept to final cut.
The Work: Filmed across multiple locations over two weeks — Keystone's Irving HQ, a park near DFW Airport, and private land in East Texas — using a gimbal setup for smooth, cinematic motion throughout. Edited with licensed music to match the brand's tone.
The Outcome: Delivered a polished 30-second brand commercial, produced start to finish in roughly four weeks.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
COBB Tuning Promo
The Brief: COBB Tuning needed a high-impact 30-second commercial showcasing performance and precision in a fast-paced visual format.
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
My Role: Sole videographer and editor — filmed, edited, and handled sound design.
The Work: Shot in a single four-hour session at Keystone Automotive HQ in Irving, TX, using a gimbal for smooth, dynamic motion. Edited with custom sound design and licensed music to match the brand's high-energy positioning.
The Outcome: Delivered a finished commercial in just three days total, concept to delivery — a fast turnaround that still hit a polished, high-production feel.
Tools: Sony A7III, DJI RS3 Mini gimbal, Adobe Premiere Pro, licensed music (Artlist.io).
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